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Solicitor Cho's Blog

The Law in Motion

 
Solicitor Cho considers the latest Govt announcement on Global Talent route (6 Aug 2026)

How many hats could Arts Council England wear in the Global Talent ecosystem?

(and what do you mean, they’re overstretched?)

Today’s Government announcement on the expansion of the Global Talent route for researchers initially appeared to be of little interest. At least to a private immigration practitioner like me.

More than 100 additional organisations, including research intensive commercial businesses, museums, charities and cultural institutions, can now employ or host researchers under the existing UKRI Endorsed Funder pathway, including Arts Council England.

Wait, what?

The same Arts Council England that assesses performers, artists and cultural practitioners under the Arts and Culture Global Talent pathway?

Why does it also appear on the list of approved research organisations?

Does this mean Arts Council England has suddenly become a research institution?

Can it now endorse me if I’m a researcher rather than an artist?

Is this an entirely new immigration route?

Are they simply taking on yet another role within an already complicated Global Talent ecosystem?

So… many… questions.

As it turned out, the answer has very little to do with Arts Council England itself and everything to do with how the UK’s Global Talent route is structured.

The Government’s announcement on 6 August 2026 (today) followed an update to UKRI’s published list of approved research organisations published on 31 July 2026. The announcement understandably focused on the headline: more than 100 additional organisations added (as what?)!

What received much less attention was the legal architecture behind that announcement.

So what has actually changed?

Most immigration practitioners are familiar with the concept of an endorsing body. Fewer have had cause to consider the role of an endorsed funder, still less an approved research organisation. Yet it is those latter concepts that underpin the UKRI Endorsed Funder pathway, makes today’s announcement relevant.

To put it simply, the route involves three separate dramatis personae:

First, there is the organisation that provides the research funding. The organisations are exhaustively listed (yes, the list that includes Arts Council England). The funding they can grant for a project may be “qualifying funding” for endorsement purposes, provided the funding and the project meet all the relevant criteria. More on this in another blog.

Secondly, there is the organisation that employs or hosts the researchers carrying out that funded research. It is this second category that has expanded following the update to UKRI’s approved research organisations list, with the addition of major commercial businesses, museums, charities and cultural institutions, including Arts Council England.

Finally, there is the researcher themselves. Research Fellows, Research Associates, Postdoctoral Researchers, Conservation Scientists, Research Curators and, in some cases, Principal Investigators or Co Investigators, to name but a few. Importantly, you do not necessarily have to be the person who secured the funding yourself to qualify. You may simply be recruited to work on the qualifying funded research project, whether by responding to a recruitment advertisement or by already being part of the research team.

So what does this actually mean for you?

If you’re an individual researcher, the expansion of the approved research organisations list is naturally likely to increase the opportunities available to researchers, whether by creating more vacancies on qualifying funded research projects or by enabling existing research roles within newly approved organisations to support applications under the UKRI Endorsed Funder pathway, where the relevant requirements are met.

That, in turn, may open the door to the wider benefits of the Global Talent route, including the ability to bring accompanying family members to the UK, no initial English language or maintenance requirement, and, for many researchers, eligibility to apply for settlement after just three years, and generous absence allowance/ residence requirement for settlement.

It may also prove to be a more resilient option if the Government proceeds with its proposed earned settlement reforms, although the final position remains to be seen.

If you’re one of the newly approved organisations, the expansion would, without question, significantly widen your international recruitment pool. After all, it forms part of the Government’s wider ambition that “the brightest minds in the world will be welcomed to bring their talents to the UK.”

One of the ways in which the Government intends to achieve that is by “making it easier than ever for our most innovative companies to recruit eligible researchers.” Where a qualifying funded research project is involved, you are able to recruit internationally without having to navigate the complex and costly sponsor licence system, occupation codes, going rate salary thresholds, or the initial English language and maintenance requirements associated with the Skilled Worker route. It certainly does make overseas recruitment easier.

Now if only the crème de la crème of the research world would be enticed by the prize, and not just the ease of entry…

Not every project will be straightforward. Nor will every appointment obviously satisfy the requirements of the UKRI Endorsed Funder pathway. Where the position is less clear, there remains an important role for independent specialist immigration advice, both for organisations and for individual researchers.

One obvious question remains.

What does all of this mean for applicants seeking endorsement from Arts Council England under the Arts and Culture pathway?

Does the Government’s announcement change anything for artists, performers or other cultural practitioners?

Can researchers now seek endorsement from Arts Council England in a different capacity?

And what happens if someone sits somewhere between artistic practice and research?

Those questions deserve a proper answer in their own right.

More on that in my next blog 😉

Eunyoung ChoComment
Solicitor Cho considers Earned Settlement on 14 July 2026

What happens next if your ILR date is approaching?

The headlines surrounding Earned Settlement are understandably alarming. But the first message is simple: the law has not changed yet, and panic is not a strategy. Preparation is.

The Government proposes to replace the present settlement system with an “earned” model. For most migrants, the starting qualifying period would increase from five years to ten years, although that period could be shortened or extended according to factors such as earnings, public service, English language ability, immigration history and receipt of public funds.

The proposals also contemplate abolishing the separate ten year Long Residence route. Most existing five year work routes, including the Skilled Worker route, would ordinarily move to the ten year baseline unless the applicant qualified for a reduction.

Even for those in special work categories, such as Ministers of Religion, there is currently no savings planned that will make available the existing five year settlement route. The consultation asks whether Ministers of Religion should be exempt from a proposed minimum earnings requirement.

Where are we now?

The policy was first announced in the Government’s May 2025 Immigration White Paper. A separate detailed consultation ran from 20 November 2025 until 12 February 2026.

The consultation has closed and the Government is still analysing the responses. As at 14 July 2026, no final consultation response has been published and no Statement of Changes implementing the wider Earned Settlement scheme has been laid before Parliament.

Ministers have indicated that the reforms may be brought into action later in 2026, possibly in the autumn. That remains an indication rather than a legally effective date.

How will the Rules actually change?

The detailed Immigration Rules are not usually changed through a new Act of Parliament.

Under section 3(2) of the Immigration Act 1971, the Home Secretary lays a Statement of Changes (named ‘HC [no.]’) before Parliament. That document contains the precise wording of the new Rules, their commencement date and, importantly, any transitional arrangements for those caught between the old rules and the new rules.

The Statement does not require the same debates, votes and Royal Assent process as an Act of Parliament. It takes effect on the date selected by the Home Secretary unless Parliament disapproves it through the procedure provided by section 3(2). This is normally within 40 days of the new Rules being laid down.

Does Statement of Change give 21 days’ notice to all?

Not necessarily.

There is a longstanding convention that Immigration Rule changes should normally be laid at least 21 days before implementation. In June 2026, the Home Office confirmed that it intends to continue observing that convention.

But it is only a convention and not an absolute legal requirement. Most crucially, this has occasionally been breached.

For example, Tier 1 Investor visa was shut down with immediate effect, amid Covid-19 chaos, at 4.00 pm on 17 February 2022, on the same day the change was laid before Parliament, specifically to avoid the ““Closing down sale” effect” which might lead to a surge in application numbers during the notice period.

In a more recent example, Appendix Family Reunion implemented at 3.00 pm on 4 September 2025, on the same day the rules were laid and it was noted by the Home office “we are breaching the 21 day convention” , quoting again the fear of surge in applications that would overwhelm the public services and local authorities.

Equally, a change can be laid many months before it takes effect. For example, the new B2 English requirement for settlement was placed into the Rules in March 2026 but is not due to take effect until March 2027. The Statement could contain staggered commencement dates, with some changes taking effect immediately or after a short notice period, and others commencing only after a medium or longer lead-in period.The commencement provisions in the newly drafted rules of the Statement of Change must therefore be read carefully. For any changes brought about, there may be about 21 days, there may be substantially longer, or exceptionally there may be less.

What if your ILR eligibility date is close?

This is where careful planning matters.

Applicants should calculate their earliest lawful settlement application date now. On many work routes, an application may ordinarily be submitted up to 28 days before completion of the qualifying period. An application submitted earlier may be refused.

The practical steps are therefore:

  • calculate the earliest valid application date accurately

  • complete the Life in the UK and English language requirements

  • identify any absence, salary, sponsorship or continuous residence problem

  • prepare the application and supporting documents before the Rules change

  • monitor the consultation response and every new Statement of Changes

  • examine the commencement and transitional provisions as soon as they are published

  • Where an applicant becomes eligible before the new Rules take effect, and the transitional provisions preserve applications made before commencement, an application may need to be lodged promptly.

But if you have not yet reached the permitted application window, you cannot manufacture eligibility simply by applying early. Nor should anyone assume that submitting before commencement will protect them unless the transitional provisions say that it will.

The opportunity here is not a loophole. It is the opportunity to be prepared, understand the exact legal window and avoid losing an existing entitlement through delay or incorrect advice.

Although much remains uncertain, if you are in the nail-biting and occasionally exhilarating stage of preparing for ILR, or trying to understand where you may stand before and after any changes to the Rules, one of the most useful things to establish now is your earliest lawful eligibility date.

For a more accurate and human assessment of the merits of your application, and how the proposed changes may affect you, I am always available to advise.

Current as at 14 July 2026.

Eunyoung ChoComment
New Global Talent Guidance - Arts Council England (Feb 2025)

I love it when new guidance comes out. It lets us in on their experience of receiving and considering applications, and most importantly how they view some of these. Before we deep-dive, it’s useful to remind ourselves that this particular guidance is speaking to several different types of candidates, each with unique requirements. So here we go:

Key Changes in the February 2025 Guidance

1. Clarification on Media Recognition and Awards

  • Media recognition and awards must now be strictly for professional work only. Evidence related to student or amateur work will no longer be accepted. This has always been the case, but it seems that ACE might be getting inundated with ineligible media evidence. Media recognition evidence is often quite difficult to identify for a lay client, even with this clear guidance, as I have seen in several cases where the boundaries overlap. Best to discuss with an expert who can lean on their experience to advise you.

2. Updated List of Notable Industry Awards

  • The list of acceptable Notable Industry Recognition Awards for film, TV, and animation professionals has been revised to add more. The specific guide to demonstrating your contributions is inserted here from PACT’s own guidance, so in reality, it appears to be a formatting change to this guidance to embrace the details from PACT rather than content change.

3. Expanded Ineligible Disciplines

  • The latest update significantly expands the list of ineligible disciplines (full list below), with notable exclusions including event hosts, digital content creators, and social media influencers.

4. others

others remain the same, e.g. British Fashion Council willl look for:

  1. Evidence of international media recognition

  2. Evidence of recent catwalk shows, exhibitions, or sales through renowned retailers

  3. Acceptance of social media evidence for Exceptional Promise applicants (if from credible critics or key opinion leaders)

5. Eligible Disciplines – February 2025 Update

The following disciplines are eligible under the new guidance:

  • Combined Arts

    • Interdisciplinary arts

    • Multi-disciplinary arts

    • Participatory and celebratory work

    • Large-scale artistic events, festivals, and carnival arts

  • Dance

    • Ballet

    • Contemporary dance

    • Aerial dance

    • Street dance

    • Folk, traditional, and culturally specific dance

    • Social dance (e.g., ceilidhs, salsa, ballroom)

    • Jazz and tap

    • Entertainment dance (e.g., musicals, dance spectaculars)

  • Literature

    • Print, digital, or live poetry

    • Print, digital, or live prose fiction

    • Graphic novels and comics

    • Writing and illustration for children and young people

    • Independent publishing

    • Live literature and storytelling

    • Translation of original poetry and prose fiction

  • Music

    • Classical and orchestral music

    • Opera

    • Contemporary music (e.g., pop, rock, hip-hop, DJing)

    • Folk, traditional, and culturally specific music

    • Jazz

    • Choral or gospel

  • Theatre

    • Musical theatre

    • Physical theatre and mime

    • Narrative drama

    • Experimental theatre

    • Comedy (excluding TV/Film comedy)

    • Variety and cabaret

    • Pantomime

    • Circus

    • Puppetry and visual theatre

    • Youth theatre (excluding Drama in Education)

  • Visual Arts

    • Drawing, painting, or printmaking

    • Sculpture and installations

    • Design (created specifically for exhibition)

    • Graphic design for exhibition (non-commercial)

    • Artist-led animation (excluding film/TV work)

    • Illustration for exhibition, zines, or picture books

    • Live and performance art

    • Mixed media and digital art

    • Ceramics, pottery, or handmade crafts for exhibition

    • Fine art photography

    • Artists film and moving image (non-commercial)

    • Sound art

    • Virtual Reality or Augmented Reality for exhibition

  • Museums and Galleries (arts-focused activity only)

  • Film and Television (under the Producers Alliance for Film and Television - Pact)

  • Fashion Design (under the British Fashion Council)

  • Architecture (under the Royal Institute of British Architects - RIBA)

6. Ineligible Disciplines – February 2025 Update

The new guidance has expanded the list of ineligible disciplines, making it crucial for applicants to confirm they qualify under eligible creative sectors before applying. The following disciplines are now explicitly listed as ineligible:

  • Hair styling

  • Make-up for fashion

  • Fashion stylists

  • Nail art

  • Health and beauty

  • Editorial and fashion photography

  • Commercial photography

  • Live events photography

  • Photography and artwork for music releases

  • Using AI to manipulate others' work from the web (e.g., AI photography)

  • Photography, videos, CGI, design, and illustration for marketing campaigns, advertising, or branding

  • Music videos (unless applying under the Film/TV - Exceptional Talent criteria)

  • Art and creative direction for marketing campaigns, advertising, or branding

  • Commercial illustration and/or design

  • Non-fiction or educational writing and illustration

  • Scientific illustration

  • Stock imagery

  • Self-help books

  • Modelling

  • Journalism (written and photographic)

  • Investigative journalism

  • Long-form journalism

  • General writing about the arts

  • Food writing

  • Researchers

  • Education (teachers and lecturers)

  • Music education or other artistic education

  • Conference programming

  • Consultancy

  • Marketing

  • Historians

  • Art historians

  • Design, manufacture, or restoration of functional products, textiles, or furniture

  • Working in museums and galleries in non-creative roles (e.g., front-of-house or administration)

  • Arts administration

  • Design work that is not in a visual arts context (e.g., graphic design, product design, industrial design, UX design, etc.)

  • Technical, scientific, medical, architectural, or fashion illustration

  • Podcasts

  • Radio DJs

  • Event hosts and masters of ceremonies

  • DJs who do not produce their own music or remixes

  • Competitive dance/Dancesport

  • Digital content creators (e.g., YouTube channels, Instagram influencers/models)

  • Art dealers/collectors

  • Art critics

  • Instrument makers

  • Toy makers

  • Music industry professionals/executives (e.g., PR, A&R, Managers)

  • Tattoo artists

  • Professional wrestling

  • Members of curatorial teams or exhibition assistants

  • Front-of-house staff

So there you go.

The expanded ineligible disciplines highlight the importance of ensuring that applicants have sufficient professional experience within eligible art discilpines only, to meet the Arts Council England’s defined remit for creative practice. For creatives seeking a Global Talent Visa, it's vital to tailor your application with precise supporting evidence, ensuring your work aligns with the endorsed criteria.

💬 Need help navigating the new guidance or preparing your application? As an experienced immigration lawyer, I specialise in supporting creatives and industry professionals with Global Talent Visa applications. Contact me for tailored advice and expert support.

#GlobalTalentVisa #UKImmigration #ArtsCouncilEngland #ImmigrationLawyer #CreativeIndustries

Eunyoung ChoComment
Global Talent Preparation - The Alternative Checklist

Getting endorsed for a Global Talent Visa isn’t just about talent—it’s about how you present your work, connect with the right people, and showcase your impact. Some of these might seem unusual, but they’ve worked for real clients in real cases!

✅ Recommendation from a UK entity ✉️ - One of your three recommendation letters must come from a UK entity. Who have you worked with that can vouch for you? I’ve seen internationally renowned artists struggle to secure a letter due to weak industry connections, while others with more modest experience had industry greats queuing up to recommend them. It’s really corny to say it, but Communication and networking skills really do matter!


✅ Google your name for media research 🔎 - The no-stone-unturned approach! You might be surprised at what’s out there - I have seen many clients who found themselves cited in articles they had no idea existed!


✅ Update LinkedIn or web profile ✍🏻 - Stay relevant and connected. This isn't just about visibility; past clients have come across many useful opportunities from connections they never thought to ask.


✅ Update (or create) an artistic CV 📑 - The content and structure of your CV can make or break your case. Even if all other evidence is satisfactory, if your CV does not show either the track record as a world leading talent or showing exceptional promise to become one at the early stage of your career, the application will fail.


✅ Befriend art journalists/columnists 💡- Think of this as DIY PR (or hire a PR team if you want!). Invite journalists, culture columnists, critiques to your shows, and get that exposure.


✅ Take stock. Write your list of evidence into the three categories (i.e. media recognition/ competitions/ exhibition publications). Have a meditative moment to yourself one afternoon at a desk and just write it all down and see how it looks 🍵🧋☕️🫖


✅ Collect exhibition programmes, URLs – Save everything—we can decide later what’s useful. URLs are great, but they can disappear (error pages, dead links), so also save physical copies: printed programmes or screengrabs showing the URL. After all, it’s better to have screen-grabbed and discarded than never to have screen-grabbed at all. 😉


✅ Be forward. Enter competitions. – Don’t sell yourself short! Some artists hold back out of humility—but those who put themselves out there with genuine curiosity and earnestness often get rewarded with shortlisting or indeed, winning.

💡 Soft skills matter. A well-connected, well-documented, and well-prepared artist stands out. Where there’s a will, there’s a way—and we’ve seen it work!

📩 Need expert guidance? Get in Touch for advice & representation! 👩‍💼📧

#GlobalTalentVisa #ArtistVisa #UKVisa #UKimmigration #CreativeIndustry #GlobalTalent #ImmigrationLawyer #ArtWorld #CareerGrowth #VisaSuccess #CreativeCareers #TalentEndorsement #ArtsCouncil #FilmIndustry #MusiciansOfInstagram #WritersCommunity #DancerLife #FashionDesign #ActorsLife #ArchitectureLovers #Innovation #TechLeaders

Eunyoung ChoComment
Global Talent Visa UK: The Ultimate 2025 Guide for Artists, Scientists, and Innovators

My first blog post of the year 😊

Eligibility

Eligibility for the UK Global Talent Visa really depends on the endorsing body. Even within Arts Council England endorsement, it varies between Fashion, Architecture, and Film & TV, each with different expectations.

For Arts Council England (ACE) candidates, you’ll generally need at least three years of track record/experience to apply under Exceptional Promise. You can submit up to 10 pieces of evidence, alongside three referees who can vouch for your work.

For scientists and researchers applying through the Peer Review route, the process is slightly different. You’ll need one personal recommendation from a leading expert in your field. The application should also demonstrate a strong track record, typically through publications, lectures, research projects, patents, and personal statements.

The key takeaway? Whether you’re an artist or a scientist, proving your calibre and potential impact is essential.

Step-by-step process

Before diving into an application, start by reviewing your CV and experience. Ask yourself: Do I meet the eligibility criteria?

If the answer is a confident yes, begin compiling your evidence immediately.
🤔 If you're unsure or need expert guidance on structuring your application, you’re in the right place! This is where I come in. Send me your CV, and I’ll assess your case and advise whether you should apply—or if more preparation is needed.

To make things clearer, I’ve outlined my step-by-step process in the Endorsement Timeline below:

📌 Week 1 – CV & experience review
📌 Week 2 – Assess evidence, identify strengths & weaknesses and draw up the action plan for the next few weeks
📌 Weeks 3-12 – Prepare documents, recommendations & submit
📌 Weeks 12-20 – Home Office/Endorsing Body considers application
📌 Weeks 20-21 – ✅ Endorsement successful → Apply for the visa!
📌 Weeks 20-28 – ❌ Refusal? You can request an Endorsement Review

This process isn’t always straightforward, and that’s why understanding the requirements in advance is so important. See the timeline below for a visual breakdown.

Common pitfalls and misconceptions

Some lawyers may disagree, but I see very little downside in applying for an endorsement—except for the cost. A refusal does not affect your immigration history or count as a visa refusal. Plus, if your application is unsuccessful, you receive detailed feedback that can help you improve and reapply.

However, many applicants overlook seemingly minor technicalities in the guidance, which can jeopardise their application. Common mistakes include:

❌ Misclassifying evidence (e.g., placing media recognition under the wrong category, unclear on what constitutes an award of excellence)
❌ Misunderstanding evidence requirements (how many pieces of media recognition and exhibition/ performance exhibition and from where)
❌ Submitting an application that lacks a cohesive narrative of achievements - the endorsing bodies want to see how your work ties together to support the assertion of a world-leading exceptional talent, or a candidate showing exceptional promise to become a world-leading talent in the field.

These details can make or break an application, and expert guidance can significantly increase your chances of success.

🚫 You don’t need 10 pieces of evidence.
A lot of people assume they must submit 10. Not true! That’s the cap, not the requirement. The endorsing bodies set a maximum of 10 because they can’t review unlimited evidence. If 6-8 strong pieces tell your story effectively, that’s way better than cramming in weaker ones just to hit a number.

🚫 A refusal won’t affect your immigration history.
This isn’t a visa application—it’s just an endorsement request. If you’re refused, it won’t show up as a visa refusal or impact future applications. Plus, you get detailed feedback on why it was rejected, so you can refine and try again.

🚫 You don’t need decades of experience to qualify.
A lot of people think the Global Talent Visa is only for top industry veterans. Not true! If you're earlier in your career but already making an impact, the Exceptional Promise route is designed for exactly that—high potential, not just years in the field.

💡 The Global Talent Visa UK is a competitive but exciting opportunity for professionals in arts, tech, science, and research. If you're unsure whether you qualify or need help structuring your application, send me your CV for an expert assessment.

I’ve worked with many incredible talents from all disciplines, and every case is a unique challenge I genuinely enjoy. If you're thinking of applying, let's connect—I’d love to help you navigate the process and put your best case forward.

Global Talent ILR vs Extension

An old client contacted me, enquiring whether I could help her GT extension application.

Extension? But hasn’t it already been 5 years for you? (Meaning, why not ILR?)

Yeah, but I don’t think I have the wear withal to sit and pass the Life in the UK Test in time for my visa expiry.

What?! 😳 Are you sure? LIUK shouldn’t be that hard, especially people who have already lived and worked here. Don’t fear it. At least have a go, if you fail you can then decide to extend and of course do the text again.

Oh, do you think so? Maybe I’ve been too fearful. Maybe it’s better to try LIUK and settlement application.

🤔 🤨 🧐

At this point, I began to wonder if they knew of the cost difference between the two routes, you know, between extending even for just one year to give yourself that time to study for and sit the LIUK exam vs. forging ahead with it now, with some grit, and so apply for ILR - be done and dusted with visas.

Here’s what went through my mind:

Global Talent Extension:

  • required evidence of income earned in the endorsement field - just like an application for ILR. Same level of evidence and efforts are needed as ILR. If self employed and filed Self Assessment tax forms, would most likely need help from an accountant to confirm your UK income.

  • Sure, you could apply for an extension from outside the UK, as well as inside it. But with the application fee of - as at Jan 2024 - is £716 and the health surcharge that is currently £624 for each year of visa and js due to increase to £1,035 for each year of visa at some point in “Spring 2024”, the total fee for extending for even just one year stands currently at £1,751. And don’t forget, a year later you would either repeat the extension at similar fee or apply for ILR which is £2,885. Add £1,000 for super priority service for quicker decisions = £3,885.

  • £1,751 at extension + £3,885 at ILR = £5,636.

So, it’s simple maths at this point:

£5,626 or £3,885?

Do you see what I mean? Which would you choose?

🤔 🧐 🕵️